Since Queens College is celebrating the year Turkey, famous Turkish leapingrs were invited to come escape for us here at our school. I was only give out to watch the first Turkish Contemporary Dance, Sek Sek, performed by Mustafa Kaplan and Filiz Sizanli. From what I saw, compared to the American culture, the Turkish culture has a very mixed interpretation on what dancing is. Since Mustafa and Filizs ply is non public here in America, I didnt fill in what to think of it at first. I kind of didnt handle it; it didnt in reality look the bid a leap to me. But, I cant unfeignedly venture because its something that Im not used to. The leap really didnt go with the music, because the music was just a crowd of noises playing at different times. I matt-up as if there werent really a accepted get of counts for each movement they did. Its similar they move whenever they precious to. I noticed that there is a give out of skin senses in the dance. Mustafa and his partner, Filiz, used their feet constantly whether to stay intertwined or to attend to each other move. Mustafa would be on the tier piece Filiz was standing above him and he would use his legs to move hers to assist her walk. Filiz stood on Mustafa for a broad(a) portion of the dance. She also would ignite on top of him at some points.
They kind of looked like animals because they walked on all fours. At one point they two had toothpicks in their mouth when they danced. That kind of had me on edge because it looked really dangerous to be dancing with sharp objects in their mouths, careless(predicate) whether theyve estima! ble it numerous times before. Im not sealed if I understand the whole dance that they performed. It didnt really make a lot of sense to me. al unneurotic I know is that they did everything together (the same things), they moved together and also sung together. I think it was a cracking experience to watch another cultures dance even though I didnt really like it.If you want to get a full essay, order it on our website: OrderCustomPaper.com
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